Maker
Firm of Lépine
Maker name as recorded in the holding museum's catalogue: “Watchmaker: Firm of Lépine (French, active Paris, 1762–1914)”. Biographical and business details beyond that record have not been independently verified.
- Kind
- watchmaker
- Country
- France
Entries are linked to a maker only where the museum or collection record names that maker; attributed, workshop and uncertain names are not linked.
Published entries
2
Individual types and documented families
With photographs
100%
2 with a credited real-object photo
Verified or well documented
0
Highest two confidence levels
Catalogue entries (2)
Filter these entries by era, material or confidenceSorted by date, earliest first.

The Metropolitan Museum of Art, New York
pocket watches
Watch by Firm of Lépine, French, Paris, 19th century
19th century
Watch made by Firm of Lépine (French, active Paris, 1762–1914), dated 19th century, from French, Paris. The museum records its materials as: Gold, engine-turned silver, niello, champlevé enamel. Recorded dimensions: Diameter: 1 5/8 in. (4.1 cm). The Metropolitan Museum of Art holds this object as 17.101.6; details a…
Partial type record

The Metropolitan Museum of Art, New York
pocket watches
Watch by Firm of Lépine, French, Paris, ca. 1830–40
ca. 1830–40
Watch made by Firm of Lépine (French, active Paris, 1762–1914), dated ca. 1830–40, from French, Paris. The museum records its materials as: Gold, niello. Recorded dimensions: Diameter: 1 3/4 in. (4.4 cm). The Metropolitan Museum of Art holds this object as 17.101.5. Classification: Horology. Department: European Sc…
Partial type record
Dated entries by century
- 18th century1
- 19th century1
Only the 2 entries carrying their own date to within about 150 years are counted, by the earliest year given. These are catalogue holdings, not production totals.
Materials recorded in the physical descriptions
- Gold2
- Silver1
An entry made of several materials is counted once under each. Materials are counted only where the description states them.
Browse other historical issuers and makers in the Atlas, or read how attributions are made in the editorial method.