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Tile with Musician and Dancer

DocumentedSupported by at least one credible specialist source.

Record status

Individual type · partial

Period

Qajar dynasty (1796–1925), 19th century

This rectangular ceramic tile depicts an outdoor scene featuring a musician and a dancer. The lower, primary section presents the two central figures set against a deep blue, foliage-filled background bordered by stylized floral motifs. On the left, a seated figure dressed in turquoise plays a stringed instrument, while on the right, another figure poses gracefully in patterned attire. Between them rests a small vessel and cups. The upper frieze shows a symmetrical decorative register of birds and scrolling floral tendrils centered on a flower blossom against a white ground.

Crafted from fritware with molded relief decoration, the tile is painted underglaze in black, turquoise, cobalt blue, and brownish-purple. It measures 27.7 × 21.6 × 2.8 cm (10 1/2 × 8 1/2 × 1 1/16 in.) and originates from 19th-century Iran, specifically attributed to Tehran or Shiraz during the Qajar dynasty (1796–1925).

Evidence at a glance

Linked sources
1
Photograph views
1
Catalogue references
0

Counts describe this entry’s documentation, not authenticity, rarity or completeness. Photographs may show one specimen; check each caption and licence.

Physical characteristics

Material
Fritware with molded decoration and underglaze painting in black, turquoise, cobalt blue, and brownish-purple
Dimensions
27.7 × 21.6 × 2.8 cm (10 1/2 × 8 1/2 × 1 1/16 in.)

Technical characteristics

Maker recorded
Iran, Tehran or Shiraz
Place recorded
Iran

Identification

Source note
Transcribed from the Art Institute of Chicago collection record for this single object; how far it represents a wider collectible type has not been independently verified.
Museum object name
Tile with Musician and Dancer
Museum object number
1939.2233

Catalogue references

No catalogue numbers recorded. Numbers are only published once transcribed from a verified edition of a standard catalogue — they are never inferred.