Badge, enamelled brass, London, 1660-1685
Record status
Individual type · partial
Period
1660-1685
This badge, which may have once adorned a coach or a set of horse bits, is from a distinct group of 17th-century cast and enamelled brasswares that include stirrups, mirror-frames, fire-dogs, sconces, candlesticks and sword-hilts. The colours used for the enamelling were limited to matt black, white, blue, green, yellow and red and the cast work is usually roughly finished.
Some like this badge, have Royalist associations and are decorated with the Royal arms. The items in the group are distinguished by their method of production: the fields to be enamelled were cast in the original moulds and not, as was more common, engraved (champlévé) or enclosed (cloisonné). They were for a long time referred to as Surrey Enamels after the author Charles R. Beard ascribed their manufacture to a factory in Esher, Surrey, but documentary evidence makes a strong case for their reattribution to the London workshops of Anthony Hatch and Stephen Pilcherd.
Hatch, a prominent member of the Armourers and Braziers Company, supplied an enamelled brass chimney piece to the Company, which was placed in the Court Room. This was presumably similar in style to the other enamelled wares from this group, which of course included other wares associated with fireplaces. Hatch worked with Pilchard, another member of the Armourers and Braziers Company. The comparatively small output of work and the repeated use of identical moulds for the stems of candlesticks, firedogs and cups suggests these objects are the products one workshop. Even domestic wares decorated with enamel would have been expensive, which implies that the workshop that produced them would have had a small but comparatively wealthy clientele.
Badge or ornament of cast brass, with red, white and blue matt enamel, the fields for the enamels cast in the mould, decorated with a portrait bust of Charles II among flowers and garlands, with an oversize crown at the top the finial of which protrudes from the circular profile of the badge. A fixing hole is at the bottom of the badge.
Evidence at a glance
- Linked sources
- 1
- Photograph views
- 2
- Catalogue references
- 0
Counts describe this entry’s documentation, not authenticity, rarity or completeness. Photographs may show one specimen; check each caption and licence.
Historical context
Probably made in the London workshop of Anthony Hatch (active from 1632, died, probably in London, 1689) or Stephen Pilcherd. The hole at the base for fixing has led to conjecture about the badge's purpose. It may have been an ornemant to decorate the roof of a royal coach or it might have been attached to horse furniture.
The only other known examples of this badge are two identical ones in the Royal Collection, Windsor Castle (RCIN 62102). Both have been joined in the 18th century with a copper band to form a flask. The badge was transferred to the Museum from the Museum of Practical Geology in 1901.
Historical significance: The items in the group are distinguished by their method of production: the fields to be enamelled were cast in the original moulds and not, as was more common, engraved (champlévé) or enclosed (cloisonné).
Beard ascribed their manufacture to a factory in Esher, Surrey, but documentary evidence makes a strong case for their reattribution to the London workshops of Anthony Hatch and Stephen Pilcherd ( see Blair,cit. below).
Few examples fo these enamelled wares survive and along with the Metropolitan Museum of Art in New York, the V&A has the largest holding in the world at around a dozen examples. This badge is from a group of cast and enamelled brasswares that include stirrups, mirror-frames, fire-dogs, sconces, candlesticks and sword-hilts.
Physical characteristics
- Material
- Brass, cast and enamelled, partly gilt
- Dimensions
- Height: 11.5 cm
Technical characteristics
- Maker recorded
- Hatch, Anthony; Pilcherd, Stephen
- Place recorded
- London
Design
- Marks and inscriptions
- Portrait bust of Charles II between 'C2' and 'R'
Identification
- Source note
- Transcribed from the Victoria and Albert Museum, London collection record for this single object (sentences kept verbatim apart from removed sale or rarity wording); how far it represents a wider collectible type has not been independently verified.
- Candidate id
- vam-O148236
- Museum object name
- Badge
- Holding institution
- Victoria and Albert Museum, London
- Museum object number
- 4920-1901
- Museum system number
- O148236
Catalogue references
No catalogue numbers recorded. Numbers are only published once transcribed from a verified edition of a standard catalogue — they are never inferred.
Research required
- Research required: confirm the wider type, maker and dating against a specialist reference; this entry documents one recorded example.