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Kremlin Tower Clock (Cleveland Museum of Art 1966.477)

DocumentedSupported by at least one credible specialist source.

Record status

Individual type · partial

Period

c. 1913

The use of Russian hardstones in creating precious objects became a hallmark of design from the House of Fabergé. Easily carved, these minerals were sourced largely from the western region surrounding the Ural Mountains.

Fabergé's workmasters used colorful stones such as agate, nephrite (jade), lapis lazuli, rock crystal, and rhodonite, seen here in this elaborate table or mantel clock, to create all manner of luxurious accessories. Bright pink rhodonite was among the rarest, and consequently most expensive, specimens used by the House of Fabergé. This clock resembles the Taynitskaya Tower, the middle tower on the south side of the Kremlin.

The House of Fabergé created this work to commemorate the 300th anniversary of the Romanov dynasty, representing Fabergé's ability to balance the functionality of objects with intricate decorative design. Cleveland Museum of Art object 1966.477: Kremlin Tower Clock, c. 1913. House of Fabergé (Russian, 1842–1918). Rhodonite, silver, enamel, emeralds, sapphires; overall: 29 x 14.6 cm (11 7/16 x 5 3/4 in.). Inscribed: 84, Kokoshnik, delta [assay mark for Moscow, 1908-26]; 91, Kokoshnik; 91; Kokoshnik; C.

Fabergé (in Cyrillic); double-headed eagle [imperial warrant]; 16419 k? scratched.; Painted on clock face: Le Gruet (in script); strike, silence, set hand work (in English).. Details are those of this museum object; how far it represents a wider type has not been independently verified.

Evidence at a glance

Linked sources
1
Photograph views
4
Catalogue references
0

Counts describe this entry’s documentation, not authenticity, rarity or completeness. Photographs may show one specimen; check each caption and licence.

Historical context

The Kremlin tower, which this clock resembles, has a secret well and an underground tunnel that leads to the Moscow River.

Physical characteristics

Materials
rhodonite, silver, enamel, emeralds, sapphires
Dimensions
Overall: 29 x 14.6 cm (11 7/16 x 5 3/4 in.)
Measurements
Overall: 29 x 14.6 cm (11 7/16 x 5 3/4 in.)
Material and technique
rhodonite, silver, enamel, emeralds, sapphires

Design

Inscriptions
84, Kokoshnik, delta [assay mark for Moscow, 1908-26]; 91, Kokoshnik; 91; Kokoshnik; C. Fabergé (in Cyrillic); double-headed eagle [imperial warrant]; 16419 k? scratched.; Painted on clock face: Le Gruet (in script); strike, silence, set hand work (in English).

Identification

Date recorded
c. 1913
Culture period
Russia, St. Petersburg
Maker recorded
House of Fabergé (Russian, 1842–1918)
Museum attribution
House of Fabergé (Russian, 1842–1918)
Holding institution
Cleveland Museum of Art
Museum object number
1966.477
Published references
Hawley, Henry H. Fabergé and His Contemporaries: The India Early Minshall Collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 1967. Mentioned and reproduced: pp. 120-1, cat. 57 Habsburg, Géza von, and David Park Curry . Fabergé in America. New York: Thames and Hudson, 1996. Mentioned and reproduced: p. 103, cat. 77 Harrison, Stephen, Emmanuel Ducamp, and Jeannine J. Falino. Artistic Luxury: Fabergé Tiffany Lalique. Cleveland, OH: Cleveland Museum of Art in association with New Haven, CT: Yale University Press, 2008. Mentioned: pp. 152, 213, cat. 68 Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art . Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 146 Harrison, Stephen. “A Tale of Two Rivals: Fresh Looks for the Tiffany and Fabergé galleries.” Cleveland Art: Cleveland Museum of Art Members Magazine 58. no. 2 (March/April 2018): 29. Reproduced and Mentioned: P. 29
Museum classification
Timepiece

Catalogue references

No catalogue numbers recorded. Numbers are only published once transcribed from a verified edition of a standard catalogue — they are never inferred.

Research required

  • Research required: this record describes a single museum object; confirm the wider type, maker attribution and specifications against horological references.
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