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Cartel d'applique and matching console

ProbableCredible evidence exists but classification is not fully established.

Record status

Individual type · partial

Period

Second quarter of the 18th century

This cartel d'applique with its matching console is a bracket clock attributed to the second quarter of the 18th century and signed by the Parisian horologist Charles Le Roy.

The clock features a violoné-shaped case decorated with polychrome floral motifs on a brown background, executed in vernis martin. The case is enhanced with gilded brass rocaille-style mounts, including foliage and flower appliques. The white enamel dial consists of thirteen individual pieces and displays Roman numerals for the hours and Arabic numerals for the minutes, with brass hands. The movement is rectangular, featuring an anchor escapement, a count wheel numbered on the exterior, and a pendulum with a rear-mounted spring suspension.

Both the dial and the movement backplate bear the signature 'Charles Le Roy à Paris'. The clock measures 110 by 39 by 19 centimeters.

Evidence at a glance

Linked sources
1
Photograph views
1
Catalogue references
0

Counts describe this entry’s documentation, not authenticity, rarity or completeness. Photographs may show one specimen; check each caption and licence.

Technical characteristics

Type
Bracket clock
Maker
Charles Le Roy
Dating
Second quarter of the 18th century
Dimensions
110 x 39 x 19 cm
Suspension
Posterior spring suspension
Place recorded
France
Case Decoration
Vernis martin with floral motifs
Dial Composition
Thirteen-piece enamel dial
Movement Features
Anchor escapement
Maker / attribution
Charles Le Roy

Design

Visible features
• Polychrome floral painting on a brown ground • Gilded brass rocaille mounts throughout the case • White enamel dial composed of thirteen pieces • Numbered count wheel visible on the exterior of the movement
Movement and Dial
The clock dial is constructed from thirteen distinct pieces of white enamel. It features Roman numerals to track the hours and Arabic numerals to indicate the minutes, with brass hands used for time indication. The signature of the maker, 'Charles Le Roy à Paris', is placed directly on the dial. Internally, the movement is housed in a rectangular frame. It operates via an anchor escapement and includes a count wheel located on the exterior. The pendulum system currently utilizes a spring suspension, which the documentation specifies as a posterior addition. The backplate of the movement is signed consistent with the dial.
Maker and Attribution
Charles Le Roy was an active Parisian horologist during the reign of Louis XV, having achieved mastery in August 1733. His workshops were located on the rue des Prêcheurs and later on the rue Saint-Denis. Following his death in 1771, the workshop's activities were continued by his son, Étienne-Augustin Le Roy, who eventually secured the title of Horloger du Roi. The signature found on this particular clock serves as a marker of the output from the family establishment during the middle of the century.
Case and Aesthetic Features
The clock is presented as a cartel d'applique, incorporating both the clock housing and its matching console. The exterior finish utilizes a vernis martin technique, which displays a decorative scheme of pink floral branches against a tobacco-colored base. The visual impact is heightened by extensive use of gilded brass mounts. These elements are executed in a rocaille style, featuring intricate depictions of flowers and foliage that frame the clock body and the console. The assembly of these mounts provides a contrast against the dark background of the vernis martin surface.

Identification

Source note
Facts transcribed from the linked source listing or collection record. Attribution and specifications are source-reported and have not been independently authenticated.

Catalogue references

No catalogue numbers recorded. Numbers are only published once transcribed from a verified edition of a standard catalogue — they are never inferred.

Research required

  • Research required: The spring suspension for the pendulum is identified as a later modification
  • Research required: Small signs of wear are mentioned by the auction description
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