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Henry Buxton Long Case Clock

ProbableCredible evidence exists but classification is not fully established.

Record status

Individual type · partial

Period

1752

This long case clock is attributed to Henry Buxton, a maker who worked in Wolverhampton, England, between 1748 and 1775. The mahogany case features carved block and vase style turnings and is topped by a bonnet.

The clock face is painted with a white background, black Roman numerals, and figurative elements including four women located in the corners, a farmhouse, and a vase. A rotating ocean scene, purportedly painted on a segment of a saw blade, occupies the top of the dial. According to the provided description, the movement is marked on the back with the inscription "Buxton Wolverhampton Year 1752," while the dial bears the signature "Power Buxton."

The clock measures approximately 87 1/2 inches in height. It has not been tested for functional operation and exhibits signs of age-related wear, though no significant structural damage is reported.

Evidence at a glance

Linked sources
1
Photograph views
1
Catalogue references
0

Counts describe this entry’s documentation, not authenticity, rarity or completeness. Photographs may show one specimen; check each caption and licence.

Technical characteristics

Date
1752
Type
Long case clock
Maker
Henry Buxton
Condition
Wear from age
Dimensions
87 1/2 inches height
Case Material
Mahogany
Place recorded
England
Dial Inscription
Power Buxton
Maker / attribution
Henry Buxton
Movement Inscription
Buxton Wolverhampton Year 1752

Design

Visible features
• The clock face features a painted scene with four female figures • The case includes turned decorative elements on the side pillars • The bonnet top houses a rotating dial component • The dial displays Roman numerals for the hour track
Movement and Attribution
The clock is attributed to Henry Buxton of Wolverhampton, who is noted as active in that location from 1748 until 1775. The movement itself carries a specific marking on the back, which confirms the location and the year of manufacture. The identification relies on the inscription found on the movement, which links the object to the specified maker and year.
Dial and Rotating Ornament
The clock face is a painted surface featuring a white background with black Roman numerals. The artistic decoration includes four women situated in the corners, a farmhouse on the top right, and a vase on the top left. The top portion of the dial contains a rotating ocean scene. The auction description notes an observation regarding the construction of the rotating element, stating that it appears to have been painted on a salvaged piece of a saw blade. The dial itself bears the name "Power Buxton," which differs from the maker's name "Henry Buxton" noted in the movement inscription.
Case Construction and Exterior
The clock is housed in a mahogany case characterized by decorative turnings. The sides of the case incorporate carved block and vase style elements, providing ornamental detail to the upright structure. The top of the case features a bonnet-style design, a common architectural choice for clocks of this configuration. The exterior appearance shows traces of age and long-term use. The dimensions are recorded as 9 9/16 inches in length, 23 1/16 inches in width, and 87 1/2 inches in height.

Identification

Source note
Facts transcribed from the linked source listing or collection record. Attribution and specifications are source-reported and have not been independently authenticated.

Catalogue references

No catalogue numbers recorded. Numbers are only published once transcribed from a verified edition of a standard catalogue — they are never inferred.

Research required

  • Research required: The exact identity of the signature "Power Buxton" versus "Henry Buxton" is not resolved by the provided text
  • Research required: The description speculates that the moon-phase disk is fashioned from a repurposed saw blade
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