Faience clock and case
Record status
Individual type · partial
Period
1756-1757
This wall clock with its case was produced around 1756–1757 at Paul Hannong's pottery factory in Strasbourg, France. Constructed in tin-glazed earthenware painted in enamels, the case features elaborate Rococo scrollwork with glazed side panels and a shaped, glazed door mounted with cast and chased gilt mounts on the lower half. The case is flanked by male and female demi-figures emerging from scrolls, with a crowing cockerel placed in an opening above the dial. It is surmounted by a separately formed cresting figure representing Father Time holding an hourglass. The total assembly, including bracket, clock case, and cresting, measures 114 cm in height and 47 cm in width, and bears a "PH" factory mark.
The clock dial is cast and chased brass, 21.2 cm in diameter, featuring an outer minute ring numbered 1 to 60, an engraved quarter-hour inner ring, and black Roman hour numerals set on white inset plaques of slightly irregular shape. The centre includes a cartouche bust surrounded by foliage, trophies, and scrolls with a crown at the bottom, alongside pierced steel hands and a single winding hole above VI. The movement possesses plates measuring 14 by 10.8 cm, a going barrel with an estimated 14-day duration, a tic-tac escapement, and a pendulum with a lenticular bob suspended by a cord loop. It also incorporates a pull-repeat mechanism striking on one bell.
Evidence at a glance
- Linked sources
- 1
- Photograph views
- 1
- Catalogue references
- 0
Counts describe this entry’s documentation, not authenticity, rarity or completeness. Photographs may show one specimen; check each caption and licence.
Historical context
The pottery at Strasbourg was initially established by Charles-François Hannong before passing to his son Paul, who gained sole directorship in 1737 and introduced 'petit feu' enamel decoration. Paul Hannong instituted the 'PH' mark in 1754 to protect his wares against imitation. The thematic scheme of the case draws on allegorical representations of the passage of time popularised in Baroque and Rococo decorative art, potentially influenced by Strasbourg sculptor Jean-Guillaume Lanz.
Identification
- Source note
- Transcribed from the Victoria and Albert Museum collection record for this single object; how far it represents a wider collectible type has not been independently verified.
- Museum object name
- Clock case
- Museum object number
- 465 to B-1870
Catalogue references
No catalogue numbers recorded. Numbers are only published once transcribed from a verified edition of a standard catalogue — they are never inferred.