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Medal — Portrait medal of Francesco Redi, Florence, 1684-1685

DocumentedSupported by at least one credible specialist source.

Record status

Individual type · partial

Period

1684-1685

Medal in the Victoria and Albert Museum, London (museum number A.30-1977), made in Florence, dated 1684-1685, attributed to Soldani Benzi, Massimiliano. The museum's brief description reads: Medal, of Francesco Redi, cast in bronze, by Massimiliano Soldani Benzi, Florence, 1684-85.

Museum description: Obverse: Profile portrait bust of Francesco Redi to right, with flowing long hair or wig. The sitter wears a shirt with fine decoration, partially visible under the draped cloak. The medal is inscribed around the border. It also bears the signature of the artist and the date: 'M.SOLD.1684'. Reverse: Three figures emerge against a rocky background. On the left, a seated woman, cloaked in flowing robes, with her head covered by a veil and her left foot on the globe, is recognisable as the allegory of Eternity.

She is caught in the act of offering a laurel to Minerva, standing on the right. Her left hand is outstretched to indicate the front of a temple, with an architrave surmounted by a snake biting its tail, symbolising eternity, and characterised by the presence of the inscription 'AETERNITATI' in the cornice. The goddess, depicted with helmet, staff and shield resting at her feet, lands, and crushes with her knee the allegorical figure of Time, represented as a naked, bearded man… The museum records it as Cast in bronze, measuring Diameter 8.79 cm.

These details come from the museum's own record; how far this object represents a wider collectible type has not yet been independently verified.

Evidence at a glance

Linked sources
1
Photograph views
1
Catalogue references
0

Counts describe this entry’s documentation, not authenticity, rarity or completeness. Photographs may show one specimen; check each caption and licence.

Historical context

The sitter Francesco Redi (1626-1697) in addition to being Chief Physician to the Medici Grand-Dukes Ferdinando II and Cosimo III and a zoologist, was an acclaimed man of letters, widely renowned as a poet and philosopher. The plethora of his talents was reflected in several medals executed by Massimiliano Soldani Benzi. The sculptor first cast a portrait medal of Redi in 1677 (commissioned by the scholar himself), when he still had to complete his training. Having become an expert medallist, in 1684-1685 he was commissioned by Cosimo III to execute three more medals of Redi, all featuring the same portrait on the obverse, but with different reverses, alluding to his three main talents, to the activities in which he excelled, from poetry to medicine. With an interesting iconographic and compositive solution, the V&A medal's reverse alludes to Redi's inclinations as a philosopher. Three figures emerge from a bustling rocky landscape, which forms the background of the entire scene. On the le left, the allegorical figure of the Eternity is depicted with the attribute of the globe, placed under her foot, and dressed in robes characterised by flowing, dense draperies, which together with the rocky background contribute to give movement to the scene. With her left hand she points to two columns with an architrave, recognisable perhaps as the font of the Eternity temple by both the inscription ‘AETERNITATI’ (‘Eternity’) in the cornice of the architrave and the presence of the…

Physical characteristics

Material
bronze
Dimensions
Diameter 8.79 cm

Technical characteristics

Technique
Cast in bronze
Maker recorded
Soldani Benzi, Massimiliano
Place recorded
Florence

Design

Inscriptions recorded
Obverse: 'FRANCISCVS.REDI.PATRITIVS.ARETINVS' (around the rim); 'M.SOLD.1684' (on the bottom left, below the bust).; Reverse: 'AETERNITATI' (on the cornice of the lintel front); 'AERE.PEREMNIVS' (to the right, along the rim); 'M.S.F.1685' (at the bottom).

Identification

Museum object name
Medal
Museum object number
A.30-1977
Museum system number
O312273

Catalogue references

No catalogue numbers recorded. Numbers are only published once transcribed from a verified edition of a standard catalogue — they are never inferred.

Research required

  • Research required: confirm the wider type, maker and catalogue references against a specialist reference.
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